Archive for the ‘Flash Work’ Category

Book Launch, New work by ME

Friday, 21st November, 2008







Earlier this year, I was invited to take part in a project, responding to the painting / text work of artist Beth Ames Swartz.  This work is itself a response to and incorporation of Du Fu poems (ancient Chinese poetry, see Wikipedia entry here for fast track knowledge) and I wrote two poems in response to her exhibited paintings, two procedural works using fragmentation techniques to harness the already fragmented qualities which are the result of the translation process.

The book launch is tonight.

I have also made an online digital work as part of my contribution.  Dead and in this Painting can be viewed here.

 

See Beth Ames Swartz’s paintings online here.



My absence

Thursday, 7th August, 2008

from this blog is due to extended problems with a project I’m working on.  Debug me, young cock. I don’t know what’s wrong with it. A tip for you, Flash cats. Always use trace to feedback the output of your code when you bugtest.

Du Fu Translation, Draft 1

Friday, 18th April, 2008

Ideas on Oedipal Bitstreams

Monday, 28th January, 2008

oedipal-scrsht.jpg

I have had a rotten, stinking cold, and a deadline on Wednesday to be presenting work as a nice warm up and QA with the MA Poetic Practice group (to lube up my lobes for a gig in Providence – more on that later) so I’ve been working through Lemsip goggles to get the first of 6 panels of my new piece of work – Ideas on Oedipal Bitstreams – up and running. Several disappointing figurings of this work led to having to scrap it 3 times and start from scratch.

A response to Brian Kim Stefans’ Rational Geomancy work, the piece foregrounds materialities of print and digital media, and has a good hard scratch at any idea of aura surrounding an original text. Fanks, Walter. Have a play with it, release the words from their booksurface bastille!

Much Photoshop work, much Flash work. But finally I’ve reached the balance of vocabulary through electronic cutups I need to produce versions of the work which are textually interesting in their output and which are the correct degree of fragmentation for realistic and yet still challenging performance. To this end, each panel is in fact 2 – one ‘fast’ version, one slow – both with the same content and in fact interaction strategy. Try the fast one first.

Fast

Slow (play around but be aware there’s a delay!)

These files are about 800K each, and I haven’t put in a loading bar yet.  Please be patient while it loads – trust me, it will.

They’re still not finished, as there is supposed to be another level of tension between fixity in texts (pre-determined spatial layouts) and the randomness / interactive combination brought about by the text avoidance of the mouse cursor. In the slow version, the temporal points BETWEEN states are another performance dimension.

Enjoy?

EDIT: 6 panels is likely to be impossibly optimistic in the timeframe. More like 3. Ho hum.

2 from “Leather Forecast”

Friday, 14th September, 2007

Click to enlarge

 

leatherscreenshot1.jpg

 

leatherscreenshot2.jpg

The “Bits, Bytes and the Rhetoric of Practice: New Media Artist Statements 2007″ issue of The New Media Caucus is up, and features a statement and work by me. It brings together artists’ statements and online work and documentation from a variety of cross-genre / multimedia artists.

The section features a mix of old and new stuff by me. Version 1 is a couple of years old, and is a Flash poem. Two parts of my recent songs for wrists work also feature.

http://www.newmediacaucus.org/media-n/content/fall_2007/fall_2007.html

Full versions of both these works can be found in the Work section using the links above.

Stroll Booth

Thursday, 12th July, 2007